My practice moves across collage, sewn paper, text-based works, chapbooks, and wearable art, but every project begins with language. I treat words as material—something that can be broken apart, rearranged, stitched together, or worn like a second skin. Sewing functions as a form of editing; collage becomes a visual poem; garments become containers for narrative.

Across mediums, I explore the instability and rebuilding of self: the ways we rewrite our histories, translate internal experiences, and piece together meaning from fragments. My work often draws on my relationship to dyslexia, using fragmentation, repetition, and reconstruction as both aesthetic form and conceptual structure. What emerges is a hybrid language—part visual, part literary, part tactile—that resists being confined to a single medium.